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BUSTED: Contemporary Sculpture Busts

April 4 through September 20, 2025

BUSTED: Contemporary Sculpture Busts showcases this ancient sculpture genre as radically transformed by 21st-century artists. Throughout history, sculpted busts have served to commemorate and preserve the likeness of distinguished individuals, and to celebrate divinity or nobility. In recent years the bust format has experienced a revival among contemporary artists, as they’ve found it a compelling means to address issues tied to identity, mortality, power and history. Featuring work in diverse materials from marble to fabric—and made by artists from various cultural backgrounds—the exhibition invites viewers to reflect on vital questions in art history and human representation. Together, these sculpture busts demonstrate the continued vitality of figural art as a means of addressing both timeless concerns and the most pressing issues of today.

Featured Sculpture: Michael Ferris Jr., Joe, 2021. Reclaimed wood and pigment. 43x33x16″

 
 

about David Smith

David Smith is regarded as one of the most innovative artists and important American sculptors of the 20th century. He transformed sculpture by rejecting the traditional methods of carving and casting in favor of torch-cutting and welding, becoming the first artist known to make welded sculpture in America. These methods allowed him to work in an improvisational manner in creating open and large-scale, abstract sculptures. In his later years, he installed his sculptures in the fields of his home in the Adirondack Mountains, where a dialogue between the art object and nature emerged as central to his practice. His sculpture-filled landscape inspired Storm King Art Center and other sculpture parks throughout the world, as well as anticipating the land and environmental art movements.

Smith was born in 1906 in Decatur, Indiana. He worked briefly as a welder in an automobile factory before moving to New York City to become an artist in 1926. He studied painting at the Art Students league, where Cubism and Surrealism were foundational to his practice. He began welding sculpture around 1933 after seeing reproductions of constructed steel sculptures by Pablo Picasso and Julio González. He later became associated with the abstract expressionist movement and paved the way for minimalism with radically simplified, geometric works. Painting and drawing remained integral to what Smith called his ’work stream’. He embraced a holistic attitude toward artmaking and dismissed the idea of a separation between mediums. Acknowledging the tradition of painted sculpture throughout art history and drawing from the bold palettes of modernism and pop culture, Smith often painted his sculptures. David Smith died in 1965, leaving behind an expansive, complex, and powerful body of work that continues to exert influence upon subsequent generations of artists.

Smith began exhibiting his work as early as 1930. His first survey was organized by the Museum of Modern Art, New York in 1957. His sculpture was represented by the United States at the São Paulo Biennale in 1951 and at the Venice Biennale in 1954 and 1958. Posthumous retrospectives have been held at the Solomon R. Guggenheim Museum (1979 and 2006, which traveled to Tate Modern, London and the Centre Pompidou, Paris) and at the Los Angeles County Museum of Art (2011, which traveled to the Whitney Museum of American Art, New York and the Wexner Center for the Arts, Columbus, Ohio). Other major surveys have been organized at the Sezon Museum of Art, Tokyo (1994, traveled throughout Japan), the Museo Nacional Centro de Arte Reina Sofía, Madrid (1996), Storm King Art Center (1997–99), and Yorkshire Sculpture Park, Wakefield, UK. A three-volume, fully illustrated catalogue raisonné of Smith’s sculpture was published in 2021 by the Estate of David Smith and distributed by Yale University Press. A biography by Michael Brenson, David Smith: The Art and Life of a Transformational Sculptor, was published by Farrar, Straus, and Giroux in 2022.

Biography provided by Hauser & Wirth

Exhibition Partners

This exhibition is made possible with the support of:

  • The Meijer Foundation
  • Frederik Meijer Gardens & Sculpture Foundation
  • Sculpture and Botanic Societies of Frederik Meijer Gardens & Sculpture Park
  • Michigan Arts and Culture Council, a partner agency of the National Endowment for the Arts
  • Townsquare Media

HOURS

Sunday 11 am - 5 pm
Monday 9 am - 5 pm
Tuesday 9 am - 9 pm
Wednesday 9 am - 5 pm
Thursday 9 am - 5 pm
Friday 9 am - 5 pm
Saturday 9 am - 5 pm

RATES

Members (with ID) FREE
Adults (14-64) $20.00
Seniors (65 and older) $15.00
Students (with student ID) $15.00
Museums for All $2.00
Children (3-13) $10
Children (2 and younger) FREE

CONTACT US

Autumn Nights

Every Tuesday in October!

Please Note: To enter Autumn Nights, guests must enter through the Amphitheater gates. The Richard & Helen DeVos Japanese Garden, The Lena Meijer Children’s Garden, and the Sculpture Park are closed during this programming. 

Sculpture park closure

Please Note: The Thicket in the Sculpture Park will be closed November 14-15 for landscape maintenance. 

Spring Break Hours

Extended Hours

Enjoy extended spring break hours until 9 pm on April 1-5.

Extended Member Early Hours

Each Sunday from 9-11 am during Fred & Dorothy Fichter Butterflies Are Blooming and Saturday, April 6, from 8-9 am. 

HOURS

Sunday 11:00 am - 5:00 pm
Monday 9:00 am - 5:00 pm
Tuesday 9:00 am - 9:00 pm
Wednesday 9:00 am - 5:00 pm
Thursday 9:00 am - 5:00 pm
Friday 9:00 am - 5:00 pm
Saturday 9:00 am - 5:00 pm

RATES

Members (with ID) FREE
Adults (14-64) $20.00
Seniors (65 and older) $15.00
Students (with student ID) $15.00
Museums for All $2.00
Children (3-13) $10
Children (2 and younger) FREE